This post discusses major plot points in the story. Divert your eyes if you want to be surprised!
I am Austen-obsessed. I’ve seen every movie-adaptation of Pride and Prejudice that I could get my hands on, read sequels and re-imaginings from Darcy’s Daughters to Mr. Darcy, Vampyre and researched enough for a lifetime of scholarly discussions. Everything about the work enchants me, from her characters to the portrait Austen draws of the times; even mentions of the price of a new dress or what they’ll cook for dinner that night inspire me to find out the approximate currency exchange to today, or how exactly one would cook that particular game fowl.
So why do I (and many others) care so much about stories written two centuries ago, set in a world so far removed from our modern lives? What is it about Jane Austen that has inspired so many, all the way up to this whole new take on Pride and Prejudice?
The reasons are many and won’t fit into one blog post. But I think one of the most important is humor.
A group of high school students being ‘forced’ to read Pride and Prejudice won’t agree with me here (not YET), but Austen is hilarious. And part of what makes her stories so funny is how real it all seems. Who among us hasn’t been mortified by our relatives, or made fools of ourselves in new company? It’s part of the human experience, as is telling the tale to a friend later and rolling on the floor laughing at ourselves, even if at the time we could only think a Kitty-esque “My life is OVER!”
Charlotte Lucas shares surprising news with Lizzy.
Elizabeth Bennett loves to laugh at people, as does Charlotte Lucas. These are the characters we identify with, as they observe the absurdity in their surroundings and find ways to have fun at their expense. But what truly makes these characters so likable is a willingness not to take themselves seriously, to laugh at themselves as much as at their neighbors, so strongly juxtaposed with the self-righteousness of Mr. Collins, Mary’s too-serious take on life, and Lady Catherine’s incredible sense of importance. Darcy’s pride is what first gets between him and Lizzy, and even when all is settled between them “to be the happiest couple in the world,” Lizzy knows that “he had yet to learn to be laughed at, and it was rather too early to begin.”
This is one of the many things I love so much about our production. Real life is full of the slapstick, and consequently, so is our production of Pride and Prejudice. This week we’ve been working more intensely on individual scenes, going deeper into our character’s motivations, and finding so many new jokes we can hardly say our lines for laughter. Doors are slamming, nervous boys are tripping over their feet on the way to talk to pretty girls, and heads are popping around doors in a cartoon stack to spy on what must be one of the worst proposals OF ALL TIME. (It’s vying for the title with one just a few scenes later, which it is my pleasure to interrupt (of course!) at quite an awkward moment).
So the moral of this particular story is that we love Austen for her humor, because that is what makes her stories (and us) so very human. The ability to laugh at oneself, not money, manners or even sweetness of temper, is Pride and Prejudice’s greatest virtue.
— Sarah Asarnow (Charlotte Lucas)