I moved to the Bay Area recently from Chicago. If you’ve been to that toddlin’ town, or if you know anything about Second City, you know that Chicago theatre has a strong foundation in improvisation. A lot of people think that improv is solely comedy and coming up with ridiculous situations and ideas in a matter of seconds. That’s definitely a large part of it, but improv is essentially unscripted story telling in its most raw and honest format. It can be between one, two, three, seven, twenty-eight, or any number of people about any subject.
We’ve been using improv during some “Pride and Prejudice” rehearsals for several reasons. First of all, Austen is like Shakespeare in that the language is specific, lyrical, and follows a certain pattern. Even though Hallie is updating the script to fit a more modern setting, some of the language and situations are antiquated. Improv allows the actors to make the scenes and words real for themselves. Second, improv puts everyone on the same page. Whether you are an actor with years of experience or a young person just starting out, on book or off book, improv brings everyone to a similar starting point.
In our production, there are a few wordless moments that are happening in the background simultaneous to dialogue in the foreground. We’ve been asking the actors to improv these moments by adding their own dialogue – which hopefully assists them in finding the emotional reality of the situation as well as their character’s subtext. It’s been very interesting watching the actors tackle and explore this format for rehearsals. This cast is unique in their willingness to explore and play and take chances.
I hope the audience will have as much fun as they are!
— Eileen Tull, Assistant Director